Earlier that day, Watson stepped out in an all-over Gucci logo shift dress, with leather piping and pocket detailing, in the same brown and gold patent slingback heels, and Ray-Ban sunglasses. While such logomania could look outre elsewhere, the simple shift dress kept things feeling elegant and ladylike.
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Watson’s commitment to the shift dress is founded: it’s a silhouette that perfectly captures both her ’60s aesthetic and more boho leanings, with its fun, flirty length and easy, flattering shape. A true one-and-done piece, it gives Jane Birkin and Twiggy energy, and more practically, keeps you cool from Croisette to canal boat.
These sightings mark the first time Watson has ever appeared at the Venice Film Festival, and it’s best six years since her last major role, in Little Women. Before that, Watson hadn’t been to Cannes since 2013, then for Sofia Coppola’s The Bling Ring. Even her last red carpet was back in 2023, when she posed with Malala Yousafzai for We Dare To Dream.
The Emma Watson style lookbook commits to staying consistent.
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